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      <image:title>Project Lot - Project Lot #1: Bronzeville</image:title>
      <image:caption>Project Lot is a series of installations by artists Jen Brown, Leah Gipson and Eve Sanford. The installations occupy vacant lots to initiate conversation about the potential of unoccupied space. Project Lot involves the installation of a structure, which evolves as people contribute written words, messages, and questions. The piece becomes a part of an ongoing dialogue on the politics of space in surrounding communities.</image:caption>
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      <image:title>Project Lot - Project Lot #1: Bronzeville</image:title>
      <image:caption>Project Lot is a series of installations by artists Jen Brown, Leah Gipson and Eve Sanford. The installations occupy vacant lots to initiate conversation about the potential of unoccupied space. Project Lot involves the installation of a structure, which evolves as people contribute written words, messages, and questions. The piece becomes a part of an ongoing dialogue on the politics of space in surrounding communities.</image:caption>
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      <image:title>Project Lot - Project Lot #1: Bronzeville</image:title>
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      <image:title>Project Lot - Project Lot #1: Bronzeville</image:title>
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      <image:title>Project Lot - Project Lot #1: Bronxeville</image:title>
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      <image:title>Project Lot - Project Lot #1: Bronzeville</image:title>
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      <image:title>Project Lot - Recess</image:title>
      <image:caption>Project Lot developed in response to an earlier installation, titled Recess by artists Colleen Coleman, Leah Gipson and Eve Sanford at the South Side Community Art Center in 2010. Recess was part of an exhibition, which featured the work of 27 artists who chronicled the history of the South Side Community Art Center and its relationship with the School of the Art Institute of Chicago. Recess revived the third floor of the center using text, art making and community dialogue.</image:caption>
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      <image:title>Project Lot - Recess</image:title>
      <image:caption>Project Lot developed in response to an earlier installation, titled Recess by artists Colleen Coleman, Leah Gipson and Eve Sanford at the South Side Community Art Center in 2010. Recess was part of an exhibition, which featured the work of 27 artists who chronicled the history of the South Side Community Art Center and its relationship with the School of the Art Institute of Chicago. Recess revived the third floor of the center using text, art making and community dialogue.</image:caption>
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      <image:title>Project Lot - Recess</image:title>
      <image:caption>Project Lot developed in response to an earlier installation, titled Recess by artists Colleen Coleman, Leah Gipson and Eve Sanford at the South Side Community Art Center in 2010. Recess was part of an exhibition, which featured the work of 27 artists who chronicled the history of the South Side Community Art Center and its relationship with the School of the Art Institute of Chicago. Recess revived the third floor of the center using text, art making and community dialogue.</image:caption>
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      <image:title>Project Lot - Recess</image:title>
      <image:caption>Project Lot developed in response to an earlier installation, titled Recess by artists Colleen Coleman, Leah Gipson and Eve Sanford at the South Side Community Art Center in 2010. Recess was part of an exhibition, which featured the work of 27 artists who chronicled the history of the South Side Community Art Center and its relationship with the School of the Art Institute of Chicago. Recess revived the third floor of the center using text, art making and community dialogue.</image:caption>
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    <loc>http://www.leahgipson.com/change-clothes</loc>
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    <lastmod>2018-08-10</lastmod>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - The Sneaker Project</image:title>
      <image:caption>The Sneaker Project uses shoe-altering as a form of self-expression and advocacy for adolescent girls impacted by violence. During a series of art therapy workshops, girls discuss the role of dress in communicating social constructs of identity. Girls are given a pair of canvas shoes to personalize with messages and images of their choice.</image:caption>
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      <image:title>Sneaker Project - Heels to Heal</image:title>
      <image:caption>A group of adult women survivors of sexual violence met to learn shoe making and shoe altering as a means of exploring  identity, individual narratives, and power. The process of making and altering utilitarian shoes was intended to help survivors to deconstruct traumatic narratives and reclaim identity and social power.</image:caption>
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      <image:title>Sneaker Project - Heels to Heal</image:title>
      <image:caption>A group of adult women survivors of sexual violence met to learn shoe making and shoe altering as a means of exploring  identity, individual narratives, and power. The process of making and altering utilitarian shoes was intended to help survivors to deconstruct traumatic narratives and reclaim identity and social power.</image:caption>
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      <image:title>Sneaker Project - Heels to Heal</image:title>
      <image:caption>A group of adult women survivors of sexual violence met to learn shoe making and shoe altering as a means of exploring  identity, individual narratives, and power. The process of making and altering utilitarian shoes was intended to help survivors to deconstruct traumatic narratives and reclaim identity and social power.</image:caption>
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      <image:caption>Installation view, Andrea Bowers, MCA Chicago Work shown: A Long Walk Home, The Black Girlhood Altar November 20, 2021 – March 27, 2022 Photo: Nathan Keay, © MCA Chicago</image:caption>
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      <image:caption>Installation view, Andrea Bowers, MCA Chicago Work shown: A Long Walk Home, The Black Girlhood Altar November 20, 2021 – March 27, 2022 Photo: Nathan Keay, © MCA Chicago</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>[Photograph of a Young Girl Playing a Piano], photograph, Date Unknown; (https://texashistory.unt.edu/ark:/67531/metapth200751/: accessed March 12, 2022), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting Private Collection of Mike Cochran.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Image description: A photograph of historic white wooden paneled row houses. The house in the center lot has blue painted sidewalk and floor entrance to the front porch. The front yard has blue flowers, grass and a white bench. A large black and white photograph is displayed over the front house windows.</image:caption>
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